At first glance, Proverbs 13:22 seems to talk only about money:
A good man leaves an inheritance to his children’s children,
But the wealth of the sinner is stored up for the righteous.
But in his role as king, Solomon must have noticed the impact various people make. Some leave an inheritance that outweighs money: inventions, works of art, or ways of thinking that positively affect the next few generations.
Solomon’s own father, King David, had left much of his wealth not to his children, but for the building of the Temple. He had left a collection of Psalms that the Israelites could use in worship.
David’s legacy therefore was not just the throne he passed on to Solomon and a few bank accounts and parcels of real estate to divide among his children. He gave the future generations a new way of life.
Only a few artists leave a large financial legacy for their offspring. But your body of work can leave a legacy for future generations, altering the way they live.
What do we make of the “wealth of the sinner” Solomon says is stored up for the righteous? This could mean many things, but let’s focus on infrastructure.
It would be frustrating to be a ruler who knows someone is a crook – yet is providing a vital service for society – so it’s better to let him keep operating than to shut him down.
Solomon must have learned to be pragmatic. Some of the worst people in society can leave a positive legacy. And sometimes they shape the country’s infrastructure, making it possible for more deserving people to prosper.
An infrastructure exists because someone else’s money put it there. Investors and self-made millionaires use “OPM”, other people’s money, to grow rich. An infrastructure is available for artists, to help you produce your work and get it out to the people it should reach.
Your art may or may not make you rich, but be pragmatic about infrastructure. Use the internet: to learn new techniques, to study trends, or to display and sell your work. Connect with artists’ associations – if an organization is strong today, it’s because someone started with nothing and did the hard work of putting it together. Position yourself with existing artistic industries like publishing houses, theatres, or recording companies.
Some artists eschew the infrastructure because it offends their moral or artistic pride: “Advertising is a sellout to the commercial interests,” or “The internet has too much filth; I can’t use it.” But take another look at infrastructure. Your advertising can be principled; your internet offerings can be uplifting.
This seems to be what Solomon was saying. You have a legacy, handed down to you by others. You may or may not approve of how they created it, and this is out of your control; but it’s there for you to use. You will also leave a legacy. You must decide how good an influence it will be. This is the legacy you can control.